Exhibitions
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Visiting the Kandinsky-Klee Masters' House

HOCHTIEF is supporting a double exhibition with a Bauhaus theme: "Here comes the new engineer! Werner Graeff and Max Burchartz at the Bauhaus". The exhibition venue is the Kandinsky-Klee Masters' House in Dessau. Refurbishment of this former residential property–carried out with HOCHTIEF as the lead contractor–was completed in February 2000 after two years' work in strict compliance with the terms of the building's preservation order.

"The Engineer": A new type of artist

From February 20 until April 18, 2010, the works of Werner Graeff (1901-1978) and Max Burchartz (1887-1961) will be on show at the Kandinsky-Klee Masters' House. The two were living and working in Weimar in 1922 when Bauhaus reorientation was starting to reach fever pitch. Together they attended the course given by the Dutch De Stijl artist Theo van Doesburg, and they were also members of the spectacular Constructivist and Dadaist congresses in Düsseldorf and Weimar. Fascinated by the idea that the "engineer" was the new type of artist, they completely gave up "free" art and dedicated themselves to design in applied areas.

Exhibits from different genres

The exhibitions, which open on February 19, are each given 70 square meters on the upper floors of the Masters' House. They show the early graphic works, oil paintings from the 1920s and 1950s, photographs, advertising, books, industrial products such as a tea trolley and fittings (Burchartz) a compact camera (Graeff) and an architecture model. Each exhibition is accompanied by a 340-page catalog about the respective artist. Both the exhibition and the monographs were produced by the Faculty of Art and Design History of the Bergische Universität Wuppertal.

Werner Graeff: Here Comes The New Photographer, collaboration: Hans Richter, Berlin
1929, published for the Stuttgart Werkbund Exhibition "Film und Foto" dust jacket and double pages
Max Burchartz / Johannes Canis: Bochumer Verein, 1925. Title page, front and back fold-outs und back page, 21 x 29.7 cm; Museum Folkwang, Essen
Book cover featuring photograph of Werner Graeff in car, 1926
(privately owned by Ursula Graeff-Hirsch)
Z-Kon 3, 1921
Ink, brush on paper, 39 x 26.5 cm
Wilhelm-Hack-Museum, Ludwigshafen
Max Burchartz: Constructivist Construction II, 1923. Gouache and pencil on card, 49.8 x 32.5 cm; Von der Heydt-Museum, Wuppertal
Werner Graeff: Model of the horseshoe-shaped compact camera
Photography: Christof Becker
Max Burchartz: Lotte (Eye), c.1928. 32.5 x 44.2 cm; Von der Heydt-Museum, Wuppertal
Werner Graeff in the film Ghosts Before Breakfast. A Rebellion Of Objects (Hans Richter, Paul Hindemith, Werner Graeff), 1928

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